Introduction, Origins
Imagery, Analogy and the Shape of the Things to Come - The Opening Flourish
The Unusual Presence of the Double-Bass
A Palette of Tone Colours and the Emergence of a Theme
Trouble Getting Off the Ground, But the Key Is Not In Doubt
Jumping the Queue: Schubert Takes a Lesson from Mozart
Mozart Demonstrates a Traditional Transition
Destination Clarified
Mozart Confirms Our Arrival
A Schubertian Shocker from a Later Work
Rejoining the "Trout", With a Reminder
The Piano Joins the Strings With Yet a Third Variant of the Theme
A Rhythmic Motto: The "Ttriplet Motif"
We Get It Here
We Get It There
We Find It Everywhere, Even In the Double-Bass
The Strings' Answer to the Piano's Opening Flourish
The Two-Part Structure of the "Answering Motif"...
...But Scarcely Ever the Same Way Twice
The Piano and Strings Now Share the Material for the First Time
Conversation As the First Principle of Chamber Music
Opening (Introductory) Section Heard Complete
The Violin and Double-Bass In Partnership
The Violin and Piano Swap Roles
Transition to Second Main Theme - Triplets Now Everywhere
On the Threshold of the New Theme
Second Main Theme (A "Love Duet"), Shared By Cello and Viola
The Abandonment of Octaves In the Piano Changes the Tone Colour
A Surprising Change of Tone and a Premonition
A Return to Lyricism, But the Cello Jumps the Gun
A Buoyant, Skipping New Theme Is Given to the Solo Piano
Re-entry of the Strings As the Violin Takes Up the New Theme
A Transitional Theme, and Another Schubertian Key-Jump
We Sense the Imminent Arrival of the Closing Theme
A Sudden, Hushed Key-Cchange Introduces Part Two of the Closing Theme
The Exposition Comes to an End
Cue to Complete Exposition
Music: Exposition Complete
Introduction to the Development - The Genetic Code of "Key"
The Contrasting Aural Properties of Piano and Violin
The Ponderous Double-Bass Is Featured In the First Main Theme
The Strings Are Liberated from Servitude, But Are a Long Way from Home
A Joyful Conversation and a Change of Pace In the Piano
The Piano Takes the Melodic Lead Again
A Conversation Between Violin and Piano Leads to the Exposition...
...But Schubert Gets It "Wrong"
Music: First Movement (Complete)
Introduction to Second Movement
The Violin Now Takes Theme One
The Piano Regains the Theme
